CHRISTIAN LAUWERS: “I’m naturally drawn to ancient borders, where time accumulates and present-day lines blur.” Belgian artist Christian Lauwers talks about the ancient borders between Roman Gaul and Germania, why…
*** I blur the forest’s contours, The trees lose their shape, The trunks turn to Stravinsky’s “Le Sacre du Printemps”. Snapped heads and twisted forearms Oaks, hornbeam, beech and spruce…
LUC DE MAN: "The Wind Knows No Border" Belgian visual artist Luc De Man talks about the influence of Roger Raveel, why the three rivers that cross Momignies influenced his…
Ottersdorf, Germany A secret spot not yet known to the public… Tucked away in Ottersdorf stands the childhood home of Anselm Kiefer — where he lived with his parents, siblings,…
Publishing News The poem "A Human Loves the Beauty First" and Sara Maino’s painting "Do-in Attento" reflecting on the theme of ETHICS CLEANSING is published in MAINTENANT 19: A Journal of…
*** Icy winds have swept across Monceau, Blowed the skirts of chestnuts up, Dozens of long-legged fawns and does, Occupy the cattail swamps - hunttime! Willow bogs are thrilled with…
*** The sky over the forest of Monceau Is swelling, The flying boats of the chestnut leaves Are landing Over the salt-and-pepper waves - Your stormy hair, The smokey valley…
*** The gentility of classical ballet: Rows of grapevines - ballerinas en pointe, In seductive emerald tutus, Wearing the black pearl sautoirs. Vendemmia - Swan Lake at its best, Dresses…
*** The cupolas of churches, The cupolas of cows, The close-ups of silence, The close-ups of shrubs. The casual of coal, The casual of corn, In ‘Petit Granit’ are graveyards,…
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