Poems from “THE ROPEWALKER” series are published in ‘The Bees are dead” (US).
The Bees Are Dead is a transatlantic webzine and online publisher committed to creating a safe-haven for all cynical, satirical and downright sceptical poetry, flash fiction and photography. We are fans of the dystopian and will consider any work that the author might define as: Dystopian; Industrial; Urban; Political; Apocalyptic; Post-apocalyptic; Satirical; Sci-fi; Futuristic; Brutalist; Experimental; Protest.
***
The Ropewalker
was strolling all the day
above the Babylon of Europe,
over
the stone waves
and choppy waters
of Brussels,
barefooted,
bare-hearted,
escorted by birds and clouds,
civil servants,
uncivil sculptures.
pigeons
and sleeping bodies
of homeless –
both victims of hate crimes
right in the heart
of European justice.
On the skybridge of
busy and bubbly
Rue Belliard
the walker paused
enchanted by the escape
of Ariadne –
the foot misstepped,
the walker laughed,
opened the wings
and
in a second
took off
high-up,
towards the
melting sunshine.
***
Not birds but airplanes
Every three minutes
Cross the sky
Above the ropewalker
Who steps his toes over
One metropolis
That smells of Armagnac –
A cradle
Of dusky street lamps,
Dark alleys,
Smoke filled cafés
And the famous Inspector Maigret.
Gruff, but patient,
The ropewalker is trapped –
He suddenly embodies the famous Detective,
He falls into a wall crack,
Faces the creator – George Simenon.
The writer carefully lights his pipe saying:
“Listen!
We are almost fiction –
with the only difference
that in a book
they live lives to the full.”
The street smells of lazy crowds,
of nights when you stay out
because you cannot go to bed,
Liege sounds like New York,
Sounds of its calm and brutal indifference,
Of willful ignorance –
The question of this century:
Who cares about growing illiteracy
and
George Simenon?
The ropewalker unblinks at things
he feels he shouldn’t see,
yet cannot stop seeing.
“The two shake hands,
like phantoms in the mist.
And life goes on…”.
The redresseur de destins,
the silent fixer,
the rectifier dissolves.
The ropewalker
is orchestrated both
by logic and by the fire
of intuition
toward the city centre –
Place Saint-Lambert,
The legendary square
Where the birds not airplanes
Every three minutes
Beg for bread,
Where the birds unlearn to fly,
Where the birds suffer from noise and lights
And abnormal insomnia,
Where they try to count sheep
Whom they have never seen,
Only the illustrations
On food boxes and kebab house windows,
Halal, kosher,
Chops, ribs, necks, steaks –
That’s how the sheep are being imagined
By modern city birds,
Lost in efforts to get some sleep
When every three minutes
Airplanes
Cross their hopes.
***
Again I’m ropewalking,
this time over the crossroads
of Western Asia and Eastern Europe,
over the urban blocks of Avlabari,
jumping over the
old Tbilisi’s fire,
sensing toe-by-toe
the tenderness of wooden carvings,
petting the famous balconies,
kissing the kisses of Tiflis,
wrestling with rusty balustrades,
fencing with old wrought-iron gates,
fainting from the delicious smell of Shoti –
traditional delicious bread
shaped like a canoe.
Again I am ropewalking
along the left bank of the Kura river,
the strongest water
in Transcaucasia,
choking in the colour of pomegranates
that Parajanov slapped
into the face of public taste,
jumping with words
around the blocks that someone
has created
to protect the heart
from the invasion
of fencers, wrestlers and ropewalkers,
I am sending the letter to myself
and kisses to the red star
twinkling in the sky,
slowly dissolving in my glass of wine.